Requiem for the small things. Paris, in many ways, is defined by the River Seine. In a way, there is probably no more singular Parisian experience than taking a stroll along the Seine, either high above by the quais with their green bouquinistes, or just hovering near the water surface on the banks below. When one’s legs tire, there are always the stolid stone benches scattered about and the ample expanse of inviting cobblestone under one’s feet.
In our Paris, there need never be a reason to head to the river. We could be walking to get our favorite Lebanese wraps or gelato on rue Saint-André des Arts and feel the urge: “Want to eat by the river?” Or, we could be exiting from the BHV superstore, carrying large bags of household goods, and inexplicably decide to walk home along and across the river instead of taking the more direct métro. And, for a short while (unfortunately, far too short), we would eagerly await the midnight calls to join Neil and Jenn by the river where a bottle of wine, pâté, bread, and the allure of boundless conversation and true friendship awaited. The river gives much, but sometimes the river takes.
Before the gentle current of the Seine ever took our digital camera into its midst, I had first unwisely placed it on the inside of one leg of my jeans as I sat riverside, with my other leg dangling over the water. It wasn’t a totally mindless thing to do, you see. We were having our fried chicken fix and making an oily mess, and inside the pant leg seemed like an ideal place to temporarily shelter the camera. It did its job exceedingly well until I decided to suddenly shake away all the crumbs on my jeans.
In slow motion, we saw the camera tumbling out of its resting place, bouncing on the sloped embankment, and slipping rapidly beneath the water surface. Our beloved and invaluable camera was out of reach even before we could muster a thought. It gave a last, little struggle to rise and then disappeared into the murky water. I thought to myself, “Should I go in the water to get it?” before voicing the same to Nez. It was a ridiculous, although not entirely unreasonable, thought and Nez was in agreement. How was I going to scour the river bottom, not knowing where the river bottom was? Would this delicate piece of electronic gadgetry still work even if I did manage to recover it?
Then came a pang of sadness, the thought of the one object that I had been carrying around on almost a daily basis sitting on the cold, dark riverbed, abandoned forever even after all it had suffered through to capture the beauty of our everyday existence. I once more thought of going into the water, without again thinking about how, to try to retrieve the camera. Instead, I felt a warm embrace from behind and heard Nez’s sweetly whispered words, “Don’t worry, it’s just a camera.”
And it was. It was a great camera but still just a camera. It was a metal box without feelings. It didn’t know or care that it had been carelessly dropped and left behind in a watery grave. But here on the surface were two human beings and one with a mastery of empathy without ever realizing it. In the same situation, some might have gotten upset at such clumsiness or carelessness: “Why did you put it there?” “Do you know how much that cost?” “What were you thinking?” I, myself, might very well be one of those individuals. Nez, instead, said the only thing that needed to be said and did the only thing needed done.
I’m sure we’ll be returning again and again to the banks of the Seine. Perhaps even to this very spot — opposite the last tree of a row of trees alongside the Quai des Orfèvres, as you walk westward, away from the Pont Saint-Michel — to remember a once treasured object and to capture future memories with its successor.
In its short life, of less than a year, this unassuming camera took 8,984 photos and videos, traveled to Vietnam, Cabo San Lucas, New York, Boston, France, Germany, got dragged all over San Francisco and Paris, and attended as many Cal football games as we could get to, home and away. The last two photos it took and took with it to the bottom were images of Nez and I eating on the embankment on a typical, cool, and never-ending Parisian evening, watching and waving at the passing tour boats. |